Showing posts with label History Notes. Show all posts
Showing posts with label History Notes. Show all posts

Medieval India: 18th Century Political Formation (Source NCERT 7th Class History)



Falls of Mughal

Political Formations in Eighteenth Century: During the first half of the 18th century, many significant developments took place in the subcontinent. The boundaries of the Mughal Empire were reshaped by the emergence of a number of independent kingdoms. In major parts of eastern India, another power, the British had successfully gained control by 1765. Within a short span of time the political scenario in the 18th century India changed quite dramatically.

The Crisis of the Empire

The Mughal Empire started facing a lot of crises towards the end of the 17th century. The following were responsible for the same:
Aurangzeb’s Exploits in Deccan: He had caused depletion of the military and financial resources of his empire by fighting a long war in the Deccan. The efficiency of the imperial administration broke down under his successors.
Powerful mansabdars and nobles: The later Mughal emperors found it increasingly difficult to keep a check on their powerful mansabdars. Nobles appointed as governors often controlled the offices of revenue and also the military administration. This gave them extraordinary powers in the political, economic and military aspects of vast regions of the empire. There was a fall in the periodic remission of revenue to the capital because of the consolidation of control over the provinces by the governors.
Peasants and zamindars: They added to the problems by rebelling in many parts of northern and western India. These were caused by:
  • The pressures of mounting taxes
  • The attempts by the powerful chieftains to consolidate their own positions.
Challenging groups: Though such challenges existed even before, the current challenges were of a higher degree. In other words, the groups were successful in seizing the economic resources of the emperors of the regions to consolidate their positions.
The successors of Aurangzeb failed to arrest the gradual shifting of political and economic authority into the hands of provincial governors, local chieftains and other groups.
Plunder: The ruler of Iran, Nadir Shah sacked and plundered the city of Delhi in 1739 and took away immense amounts of wealth. A series of plundering raids by the Afghan ruler Ahmad Shah Abdali, followed. He invaded north India five times between 1748 and 1761.
Competition amongst different noble groups: This further weakened the already dwindling empire. They were divided into two major factions: the Iranis and the Turanis. The later Mughal emperors became the puppets in the hands of either of these groups for a long time. The humiliation showed its ugliest form when the nobles assassinated/blinded some Mughal emperors. Farrukh Siyar (1713 – 1719) and Alamgir II (1754 – 1759) were assassinated, while Ahmad Shah (1748 – 1754) and Shah Alam II (1759 – 1816) were blinded by their nobles.
Rises of New States
When the Mughal emperors’ authority declined; the governors of large provinces, subadars and the great zamindars consolidated their authority in different parts of the subcontinent. During the 18th century, the Mughal Empire gradually fragmented into a number of independent regional states. These states can be broadly divided into three overlapping groups:
  • Old Mughal provinces states: These included Awadh, Bengal and Hyderabad. Though these were extremely powerful and quite independent, the rulers did not break their ties with the Mughal emperor.
  • States which had enjoyed considerable independence under the Mughals as watan jagirs. Rajput principalities were an example of this.
  • States under the control of the Marathas, Sikhs and others like Jats. These were of differing sizes and had seized their independence from the Mughals after an armed struggle for a long time.
1.Awadh
The Old Mughal Provinces: Three states stand out very prominently amongst the states that were carved out of the old Mughal provinces in the 18th century. These states were founded by members of the high Mughal nobility who had been governors of large provinces. These states and their founders are as under:
  • Awadh: Sa’adat Khan
  • Bengal: Murshid Quli Khan
  • Hyderabad: Asaf Jah
All the above founders had occupied high mansabdari positions and enjoyed the trust and confidence of the emperors. The founders of Hyderabad and Bengal held a zat ranking of 7000 each, whereas Sa’adat Khan, the founder of Awadh had a zat ranking of 6000.
The founder of Awadh, Burhan-ul-Mulk Sa’adat Khan was appointed its subadar in 1722. It was one of the most important states to emerge out of the break-up of the Mughal Empire. It had the following features:
  • It was a prosperous region controlling a rich alluvial Ganga plain.
  • It was the main trade route between north India and Bengal.
Burhan-ul-Mulk also held the combined offices of political (subadari), financial (diwani) and military (faujdari) affairs of the province of Awadh.
Methods to reduce Mughal influence
He managed to reduce the Mughal influence by:
  • Reducing the number of office holders (jagirdars) appointed by the Mughals.
  • Reducing the size of the jagirs.
  • Appointing his own loyal servants in the vacant positions.
The accounts of the jagirdars were strictly checked to prevent cheating and the revenues of all districts were reassessed by the officials appointed by the Nawab’s court. He also seized a number of Rajput zamindaris and also the agriculturally fertile lands of the Afghans of Rohilkhand.

Mutual interest: state and land collectors

The state was dependent on local bankers and mahajans for loans. The right to collect tax was sold to the highest bidders. These ‘revenue farmers’ (called ijaradars) agreed to pay the state a fixed sum of money. The local bankers guaranteed the payment of this contracted amount to the state. In turn, the revenue-farmers were given considerable liberty in the assessment and collection of taxes.
These developments led to new social groups like the moneylenders and bankers influencing the management of the state’s revenue system for the first time.
2.Bengal & Hydrerabad
Nawab of Bengal: Under Murshid Quli Khan, Bengal broke away from Mughal control. He was appointed as the naib, deputy to the governor of Bengal. Though he was never a subadar, he very quickly seized all the power that went with that office. He also commanded the revenue administration of the state, like the rulers of Awadh and Hyderabad.
Methods to reduce Mughal influence
He managed to reduce the Mughal influence by
  • Transferring all Mughal jagirdars to Orissa.
  • Ordering a major reassessment of the revenues of Bengal- Revenue was collected from zamindars, in cash with great strictness. This forced the zamindars to borrow money from bankers and moneylenders. Those who were not able to pay were force to sell their lands to bigger zamindars.
There was a lot of change amongst the zamindars caused by the formation of a regional state in 18th century Bengal. The close connection between the state and bankers was evident in Bengal during the rule of Alivardi Khan. The banking house of Jagat Seth became extremely prosperous during his reign.

Hyderabad

The founder of Hyderabad state, Nizam-ul Mulk Asaf Jah (1724-1748), was one of the most powerful members in the court of the Mughal emperor Farrukh Siyar. Initially he was entrusted with the governorship of Awadh, and later he got the charge of the Deccan. During 1720-22, as the Mughal governor of the Deccan provinces, he had already gained control over its political and financial administration. He became the actual ruler of the region by taking advantage of the turmoil in the Deccan and the competition amongst the court nobility.

Asaf Jah

He brought skilled soldiers and administrators from northern India, who welcomed the new opportunities in the south. He appointed mansabdars and granted jagirs. Though still a servant of the Mughal emperor, he functioned quite independently without seeking any directions from Delhi or facing any interference. The mughal emperor merely confirmed the decisions already taken by him.
Hyderabad was constantly struggling against the Marathas in the west and the Telugu warrior chiefs (nayaks) of the plateau. The upcoming powerful group, the British, checked Asaf Jah’s ambition to control the rich textile-producing areas of the Coromandel Coast in the east.
There are three common features in all the above three states:
  • Although many of the larger states were established by erstwhile Mughal nobles they were highly suspicious of some of the administrative systems that they had inherited. Particularly this was true about the jagirdari system.
  • Regarding tax collection, they contracted with revenue-farmers for revenue collection; instead of depending on the officers of the states. The practice of ijaradari which spread all over India in the 18th century, was disapproved of by the Mughals.
  • There was an emerging relationship with rich bankers and merchants. These people lent money to revenue farmers, received land as security and through their own agents collected taxes from these lands.
Rajputs and Sikhs
The Watan Jagirs of the Rajputs: Many Rajput kings, particularly belonging to Amber and Jodhpur had served extremely well under the Mughals. In exchange, they were allowed to enjoy considerable autonomy in their watan jagirs. These rulers, in the 18th century, attempted to extend their control over adjacent areas. The ruler of Jodhpur, Ajit Singh, was involved in the factional politics at the Mughal court.
These Rajput families were influential. They claimed the subadari of the rich provinces of Gujarat and Malwa. Raja Ajit Singh of Jodhpur held the governorship of Gujarat whereas Sawai Raja Jai Singh of Amber was governor of Malwa. In 1713, these offices were renewed by Emperor Jahandar Shah. As an effort to extend their territory, they also seized portions of imperial territories neighbouring their watans:
  • Nagaur was conquered and annexed to the house of Jodhpur.
  • Amber seized many portions of Bundi.
Sawai Raj Singh founded his new capital at Jaipur. He was given the subadari of Agra in 1722. There was severe pressure on these principalities by Maratha campaigns in Rajasthan from the 1740s. This checked their further expansion.

Seizing independence

The following sections deal with the states that had already seized their independence from the Mughals and were under the control of the Sikhs, Marathas and Jats

The Sikhs

The organization of Sikhs into a political entity in the 17th century helped in regional state building in Punjab. Guru Gobind Singh fought many battles against the Rajputs and the Mughals, both before and after the institution of Khalsa in 1699. After his death in 1708, the Khalsa:
  • Rose in revolt against the mughal authority under Banda Bahadur’s (captured: 1715, executed: 1716) leadership.
  • Declared their sovereign rule by striking coins in the name of Guru Nanak and Guru Gobind Singh.
  • Established their own administration between the Satluj and the Jamuna.

Bands of Sikhs

In the eighteenth century, the Sikhs organized themselves into a number of bands called jathas, and later on misls. These bands were under competent leaders. Their combined forces were called the grand army (dal khalsa). Collective decisions were taken by them after meeting at Amritsar at the time of Baisakhi and Diwali. These collective decisions were called ‘resolutions of the Guru (gurumatas)’. A system called rakhi was introduced which offered protection to the cultivators on the payment of a tax of 20% of the produce.

Guru Gobind Singh

He had inspired the Khalsa with the belief that their destiny was to rule (raj karega khalsa). They were a well-knit organization and hence they could put up a tough and successful resistance to:
  • The Mughal governors and then to
  • Ahmad Shah Abdali who had seized the rich province of Punjab and the Sarkar of Sirhind from the Mughals.
The Khalsa declared their sovereign rule by striking their own coin again in the year 1765. This coin also bore the same inscription that the coin during the time of Banda Bahadur bore.
Spread of the territory
In the late 18th century, the territories under the Sikhs extended from the Indus to the Jamuna but they were divided under different rulers. Maharaja Ranjit Singh was one ruler who reunited these groups and established his capital at Lahore in 1799.
New States Jats
  •  
The Jats: The Jats were prosperous agriculturists. The towns like Panipat and Ballabhgarh emerged as popular trading centres in the areas dominated by them. The Jats also consolidated their power during the late 17th and 18th centuries. They acquired control over the following areas, under their leader Churaman:
  • The territories situated to the west of Delhi.
  • By the 1680s, the region between the two imperial cities of Delhi and Agra.

 Bharatpur

The kingdom of Bharatpur emerged as a strong state under Suraj Mal. Many of the city’s notables took refuge in Bharatpur when Nadir Shah sacked Delhi in 1739. His son Jawahir Shah; who had 30000 troops of his own, managed to hire another 20000 Maratha and 15000 Sikhs to fight the Mughals. The Bharatpur fort was built in a fairly traditional style.

Dig

Here, the Jats built an elaborate garden palace combining styles seen at Amber and Agra. Its buildings were modeled on architectural forms which were first associated with royalty under Shah Jahan.
The French Revolution (1789 - 1794)
In the Western world, the system of the common people not having any say in the affairs of the government was a practice till the late 18th century. The American and the French revolutions challenged the social and political privilege enjoyed by the aristocrats. These transformed subjects into citizens.
The premise of the French revolution was that no group in the society should enjoy privileges based on birth. They demanded that:
  • Social position should depend on merit.
  • There should be equal laws and opportunities for all.
  • The authority of the government should come from people who must possess the right to participate in its affairs.




Classical Dances Of India



Classical Dances Of India

Tradition of fine arts and classical and folk music and dances in India is thousands of years old. Some of the famous dance forms that originated and evolved in India –
 1. Bharatnatyam  2.  Kathak  3. Kathakali  4. Kuchipudi 5. Manipuri  6.  Mohiniattam  7.  Odissi   8. Sattriya  9. Chhau dance.   
All these dance forms use basically the same 'mudras' or signs of hand as a common language of expression and were originally performed in the temples to entertain various Gods and Goddesses. They were also effective in carrying forward the various mythological stories from generation to generation while entertaining the audiences. It eventually became a part of 'Natya Shashtra', as propounded by Sage Bharata to compile and forge some rules and regulations of entertaining arts.

As  time passed, the classical dances evolved to include the expressions and themes from social life and experiences. Lord Shiva is said to be the 'Nataraja' meaning 'King of All Dances', who is said to perform the Cosmic Dance that delicately balances life and death and all that is happening in the Universe in harmonious cycles. Bharatnatyam, popular in Tamil Nadu and Karnataka, is said to be revealed by Lord Brahma to Bharata. Kathak is the art to tell a story and is a form of North Indian classical dance. Later, it became courtly entertainment.

Kathakali from Kerala makes use of colorful masks and costumes and belongs to Kerala. Kuchipudi is the dance drama of Andhra Pradesh that combines Natya, Nritta and Nritya. Manipuri, as the name suggests, is from Manipur, the Northeastern state of India, and is a combination of many dances prevalent in the region. Mohiniattam from Kerala is a solo female dance and is known for its rhythmic and unbroken flow of the body movements. Odissi from Orissa is a dance of love, joy and intense passion.

1.Bharatnatyam
Bharatnatyam is one of the most popular classical Indian dances. Bharatnatyam is more popular in South Indian states of Tamil Nadu and Karnataka. Bharatnatyam dance is almost 2,000 years old. It is believed that Bharatnatyam was revealed by Lord Brahma to Bharata, a famous sage who then codified this sacred dance in a Sanskrit text called the Natya Shastra. The Natya Shastra is one of the fundamental treatises on Indian drama and aesthetics.
The word meaning of  Bharatnatyam
1         Bha: Bhava which means emotions
2        Ra: Rag meaning musical notes.
3        Ta: Taal meaning the Rhythm.
4        Natyam: The Sanskrit word for Drama.
The parts of Bharatanatyam
  • Jatiswaram – Nritta part
  • Varnam – a story, that includes both Nritta and Nritya
  • Padam – Religious prayer, Bhajan, Keertanam.
  • Alarippu – Invocation
  • Shabdam – Short compositions with word
  • Thillana – Origin in the Tarana of Hindustani Music

2.Kathak
Kathak is one of the most important classical dances of India. Kathak is said to be derived from the word katha, meaning "the art of storytelling." The Kathak dance form originated in north India and was very similar to the Bharatnatyam dance form. In ancient India, there were Kathakars or bards who used to recite religious and mythological tales to the accompaniment music, mime and dance.
Main Gharanas of kathak dance  These are the Jaipur, Lucknow, Raigarh and the Benares gharanas.
Steps of Kathak dance 


  1. Starts with worshipping God
  2. Uthaan.
  3. That.
  4. Aamad
  5. Salaami.
  6. Toda Tukdas.
  7. Tihai.
  8. Paran.
  9. Gatnikas.
  10. Gatbhaav
  11. Ladi-Tatkaar
  12. End with a Bhajan,
 
1.      
3.Kathakali
Kathakali is the classical dance form of Kerala. The word Kathakali literally means "Story-Play". Kathakali is known for its heavy, elaborate makeup and costumes. In fact, the colorful and fascinating costumes of Kathakali have become the most recognized icon of Kerala. Kathakali is considered as one of the most magnificent theatres of imagination and creativity. Kathakali dance presents themes derived from the Ramayana, the Mahabharata and other Hindu epics, mythologies and legends.
Unlike other Classical Dances, Kathakali art form developed in the courts and theaters of Hindu principalities. The traditional performances were used to be as long from Dusk to dawn. Modern day presentations are short as per the time limit of the program. The Kerala Kalamandalam is the main center for Kathakali Artists. Kathakali has similarities with other dance forms like that of the Japanese ‘ Noh’ and ‘Kabuki’ dance forms have similarities with Kathakali.
 Famous artists of Kathakali
i)                   i)   Kalamandalam Krishna Prasad.
ii)      Kalamandalam Kesavan Namboodiri.
iii)    Kalamandalam Gopi
4.Kuchipudi
Kuchipudi is one of the classical dance forms of the South India. Kuchipudi derives its name from the Kuchipudi village of Andhra Pradesh. In the seventeenth century the Kuchipudi village was presented to the Brahmins, who were experts in staging dance and drama. Kuchipudi exhibits scenes from the Hindu Epics, legends and mythological tales through a combination of music, dance and acting. Like other classical dances, Kuchipudi also comprises pure dance, mime and histrionics but it is the use of speech that distinguishes Kuchipudi's presentation as dance drama.
        The steps of Kuchipudi
  • The repertoire of Kuchipudi is similar to that of Bharatanatyam:
  • Kuchipudi has a specialty called- ‘Tarangam’ in which the dancer performs on the top of the brass plates.
  • And sometimes balances some pot on the head. This makes the dance form extremely unique
 Famous dancers in Kuchipudi
  1. Raja-Radha Reddy.
  2. Yamini Reddy.
  3. Vaijayanti Kashi.
  4. Uma Rama Rao etc.
5.Manipuri
Manipuri is one of the six major classical dances of India. Manipuri dance is indigenous to Manipur, the North eastern state of India. The Manipuri dance style is inextricably woven into the life pattern of Manipuri people. The most striking part of Manipur dance is its colorful decoration, lightness of dancing foot, delicacy of abhinaya (drama), lilting music and poetic charm. The Manipuri dance form is mostly ritualistic and draws heavily from the rich culture of the state of Manipur.
Types of Manipuri Raslila
1.     Tal Rasak         2. Danda Rasak          3. Mandal Rasak
   Different types of Manipuri Dance Styles
  1. Raas.
  2. Nata-Sankirtan.
  3. Pung Cholam.
  4. Dhola Cholam.
  5. Kartal Cholam.
  6. Thang ta.


6. Mohiniattam
Mohiniattam is a classical dance form of Kerala. Mohiniattam is derived from the words "Mohini" (meaning beautiful women) and "attam"(meaning dance). Thus, Mohiniattam dance form is a beautiful feminine style with surging flow of body movements. Mohiniattam dance in Kerala developed in the tradition of Devadasi system, which later grew and developed a classical status.
The sequence of Mohiniyattam
  1. Invocation.
  2. Jatiswaram.
  3. Varnam.
  4. Shlokam.
  5. Shabdam
  6. Padam.
  7. Tillana.
7.Odissi
Odissi is one of the famous classical Indian dances from Orissa state. The history of Odissi dance is almost two thousand years old. Odissi is a highly inspired, passionate, ecstatic and sensuous form of dance. Like most of the South Indian classical dances of India Odissi too had its origin in the Devadasi tradition. The state of Orissa has a great cultural history.
Styles of traditional Odissi
  1. Maharis (Devadasis or Temple Girls).
  2. Gotipua ( Performed by Boys).
The sequence
  1. Managalacharan (Worshipping Lord Jagannath or other gods, goddesses).
  2. This will be followed by Pushpanjali (Offering of flowers) and salutation to mother earth. This also includes Trikhandi Pranam- Devas, Gurus, and Rasikas.
  3. The next comes the Batu Nrutya—Fast dance pure dance which we call it as Nritta which is then followed by Nritya which include, Abhinay- Expressions on some devotional poems or songs.
  4. The verses may be in Sanskrit or Odia language. Ashtapadis—Dashavtar, Ardhanari etc. Are quite famous.
  5. Then comes the Dance Drama in sequence. The themes generally relate to the Hindu gods and goddesses. Modern day expressive theme presentations go beyond the horizon.
8.Sattriya
 Sattriya is the traditional dance –drama of Assam. Sattriya was recognized in 2000 as Classical Dance by       Sangeet Natak Akademi. It is influenced by Vaishnavism and the modern form of Sattriya is attributed to the 15th century Bhakti Movement Scholar and Saint Srimanta Sankaradev. Since 15th Century, Sattriya grew as a part of Vaishnav Bhakti Movement in Hindu Monasteries called ‘Sattra’. Sattras are the dance community halls (namghar) of monastery temples. Today it is popular worldwide.
The famous Artists of Sattriya
  1. Guru Indira P.P Bora.
  2. Late Pradip Chaliha.
  3. Jatin Goswami.
  4. Anita Sarma etc.
9.Chhau Dance
The Chhau is a blend of folk, tribal and martial arts. ‘Chhau’ – is derived from the Sanskrit word ‘Chaaya’, meaning Shadow, image or mask. Also, Chhau is defined by Sitakanta Mahapatra to be derived from Chhauni ( Military Camp) in Odia language. Traditionally performed by Males – Male troupes.
The Chhau has three different types originating from three different regions. Every type has its         own unique feature, pattern, and style of performing and ornamentation as well
 Themes in Chhau
  • Vaishnavism.
  • Shaivism.
  • Shaktism.





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